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‘D.O.A.’ shows that one’s perception of everything changes in the face of certain death

D.O.A. Written by Russell Rouse, Clarence Greene Directed by Rudolph Maté U.S.A., 1950 In a terrifically dramatic opening, D.O.A. begins with a series of smooth tracking from behind one man as he walks the corridors of police headquarters whilst the credits appear in the forefront. When the man’s face is revealed, the viewer learns that it is actor Edmond O’Brien, here playing one Frank Bigelow, modest accountant and public notary. Once seated with the police captain he reveals that he has been murdered! Is Frank Bigelow a ghost? No, but he is a dead man walking as the viewer quickly

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