Friday Noir #145: ‘Behind Green Lights’ goes the route of comedy with mixed...
The funny thing about watching older films is how the credits fade slowly in and out during the opening minutes when swelling music plays. The final credit, as is always the case, is awarded to the...
View Article‘Friday Noir #147: ‘Lady Gangster’ is mostly slight, but has an excellent...
Lady Gangster is now practically long forgotten in the annals of film history, kept afloat by its existence in the public domain, hence readily available for any and all that wish to take a chance on...
View ArticleFriday Noir #150: The posters of the classic noir period
For Friday Noir #150, in addition to a well deserved pat on the back, the column will take a look at some of the posters of the classic noir period. Loving movie posters is a curious passion. Today,...
View ArticleFriday Noir #152: ‘King Creole’
It’s interesting that King Creole is rarely brought up when discussing either the films of director Michael Curtiz or those of its inimitable star. It is fair to argue that the picture does not break...
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