Seasoned film noir viewers who take a chance on Robert Montgomery’s Ride the Pink Horse for the very first time are in for a unique experience. The director and fellow screenwriters Ben Hecht and Charles Lederer confidently borrow from several noir tropes, only to shed different light onto them, their efforts producing a movie that feels familiar yet fresh all the same. The basic plot is one seen many a time in motion pictures of the era, particularly in the aftermath of the Second World War when many such leading men suffered from a post-war cultural malaise.
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