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‘Guest in the House’ sees the noir welcome itself into the world of melodrama

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Guest in the House Written by Hunt Stromberg Directed by John Brahm USA, 1944 The family unit is, or should be, the strongest in one’s life, the one from which a solid emotional backbone is based from, the unshakable bond that brings its members together through thick and thin. For that reason, a troubled familial relationship, any sort of considerable rift between two or more of the members, may be the worst variety of schism afflicting previously close loved ones. Said troubles may not necessarily originate from within the unit, but from outside, such as when a new member is

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