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‘Where the Sidewalk Ends’ reveals shades of noir’s bittersweet side

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Where the Sidewalk Ends Written by Ben Hecht Directed by Otto Preminger USA, 1950 To those paying attention, film history teaches that groups of like-minded artists enjoy working together. The better the result of their initial project, the higher the likelihood the same team shall reconvene to produce one, two, or more films, hopefully of equal or superior quality. Some time ago in this column, Otto Preminger’s 1944 Laura was reviewed, a brilliant picture about a detective falling in love with a believed-to-be-deceased woman based on her stunning portrait, starring Dana Andrews and Gene Tierney as the lovers in question.

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